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Category Archives: Freizeit

SINNESRAUSCH / Sensory Sensation is a show in the OÖ Kulturquartier (Upper Austrian Culture Quarter) in Linz with international artists and substantial participation from the Czech art project ORBIS PICTUS PLAY by Jiří and Radana Wald (artistic concept Petr Nikl).

Marianna Stránská Kuleta, 2010, a globular kinetic object

Ondřej Puchta Lichtharfe 2 / Harfii 2 , 2011

a harp with swings of light, their disruption evolves sounds in one octave

Ondřej Janoušek Kunststoffseele, 2011 – a window into the world of plastic

Ondřej Smeykal Mobiles Lichtprisma / a Prism with Scrall Bars, 2009

Ueli Seiler Hugova, Farbige Raeder / Coluered Disks, 2010, rotating optical illusions

Achtundachzig Klaviere / Eightyeight Pianos – Untersuchungen an Fluegeln, kuratiert von Georg Nussbaumer

sprouting in the OK Saal is the central exhibition component Kristalise, which during the course of time and with the participation of the public will spread across the floor of the entire room like a living organism.

in front: Petr Nikl, Sessel der Taeuschung / The Chair of Delusion, 2010 – a rotary armchair with a magnifying glass

Jiří Konvrzek,  Ques Qintett Orgel-Fahrrad, organ bicycle

in the back: Petr Nikl, Petr Lorenc Auge / The Eye, 2007 – an external camera obscura for projecting the exterior

“Wir möchten das OÖ Kulturquartier als einen außergewöhnlichen ästhetischen Erfahrungsraum etablieren”, sagt der künstlerische Leiter Martin Sturm. Bespielt werden nicht nur die klassische Ausstellungsräume, sondern auch Gänge, Stiegenhäuser, Dachböden und Teile des Höhenrausch-Daches. Der neu renovierte Ursulinensaal ist der dramaturgische Abschluss des Rundganges und wird damit auch dem Ausstellungspublikum vorgestellt.

The big “rausch” exhibitions mounted since 2009 are ambitious art outreach programs. “We have created this format with the aim of inspiring a greater appreciation for art in broad sections of the public,” says Dr. Josef Pühringer, Minister-President of Upper Austria and Cultural Advisor. Unusual exhibition locations and artworks that strongly appeal to the senses are ideal for this purpose.

Folke Köbberling & Martin Kaltwasser: transformation of the wooden bridges Linz Super Branch 2009/11 of Atelier Bow Wow into WaterTowers, 2012

Wolfgang Georgsdorf Smeller 0.1, 1096/2012, an artificial odour installation

Atelier Bow Wow (JP) , part of Linz Super Branch 2009/2011 & Conzett, Bronzini, Gartmann (CH) in cooperation with Riepl Riepl Architekten Linz

Bring in The Sun – solar system for the museumhalls down under

Wolfgang Georgsdorf Smeller 2.0 – OLFAKTORIUM

Helga Griffiths, Turbulent Souvenirs/Memories, 2005/2012

the exhibition concept of ORBIS PICTUS PLAY culminates in the pivotal work The Heart in the Ursulinensaal. The instruments and objects here are all “analog” and function without any electronics, computer technology, recorded music or film clips. They have therefore somehow “fallen out of time and are for that very reason all the more present,” says Director Martin Sturm. Human energy is the only force that can breathe life into them, setting them in motion and making them produce sounds.

the exit

SINNESRAUSCH (Sensory Sensation)

until 20. September 2012

OÖ Kulturquartier
OK Platz 1
4020 Linz

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last friday at Gerersdorf, Austria: Prof.  Gerhard Kisser receives the “Award Kunstmediator 2012/ Art Mediator 2012” conferred & sculptor Franz Wieser shows his work (until June 17th) in the open air museum Gerersdorf, where the last 40 years an ensemble of old regional architecture & commodities was initially installed by founder Gerhard Kisser & a host of volunteers.

Franz Wieser: details of iron sculptures / objects

old clock tower

taubenkobel / dovecote, originally Wohlrab from Wulkaprodersdorf

playful visitors with dandelions

Franz Wieser:  Sonnenwagen / solar carriage

Franz Wieser: Rad der Zeit / time wheel

curious visitor

Helena Wallner, art journalist & managent, holds the laudation

Gerhard Kisser with audience

Prof Gerhard Kisser gets the award sculpture Kunstmediator / Art Mediator by designer Franz Wieser himself – the winner of last year who officially should do this – Willy Puchner – unfortunately was prevented for comming.

with Mag. Hubert Thurnhofer, president of the Austrian IG galerien

Franz Wieser: miniatur II

miniatur III, diagonal, verzahnung…

Franz Wieser: verzahnung / dovetailing

Franz Wieser: geometrie / geometrie

Franz Wieser: omen

“blaudruck / blueprint” – a traditional pattern for fabrics & clothes

the hand-hewn logs with clay – mixed with chopped straw – plastered and whitewashed

after the award ceremony founder Gerhard Kisser proudly leads through the ensemble of old houses. with help of volunteers and the “thatch roof specialists” from Heiligenbrunn it was in 1976 that a small group of six buildings as “ensemble Gerersdorf” officially could be presented to the public.

Franz Wieser
Edel – Stahl

im Freilichtmuseum Ensemble Gerersdorf
vom 4. Mai bis 17. Juni 2012

A-7542 Gerersdorf Riegelbergen Ensemble Gerersdorf

Andreas Roseneder  Paint Hand Ball  acrylics on canvas 70 x 240 cm, 2012

click the image to enlarge

un résumé pas écrit – & wenn dann bloss – bezeichnend – bild- & fotonotiz:

the paprika – cliché:   let us try to confirm or get rid of it on a walk through the

market of the Hungarian city Sopron / Ödenburg last Friday

author & actor as stagemanager:

Uli Brée, mastermind of the motorcycle meet Tridays introduces the team of construction & presents the Triumph-bike built after his ideas & conceptions called “Tridays-Eleven” – click here the especially installed website for more information.

specialist for travelling gear Jochen Schmitz-Linkweiler starts the new engine

Sabine Linder, Moni Brée run the merchandise cloak room, Chandiru Mawa as customer

tridesign presented by creator goldsmith Robert Deutschmann himself

some Tridays 2011 snap shots:

real British weather: it´s raining all the time, even the children of school in Newchurch have painted an umbrella on the wall

Elsa Steiner, 86, native from Neukirchen /Newchurch with native card board guardsman

Markus Linder

Markus Linder, cabaret artiste & musician as moderator of the various shows

who´s that guy?…

…that´s Mandi Brée…

…father Uli Brée takes mother-in-law out for a ride

after four days hustle & hustle the guardsmen are really tired!

a quick step to Hamburg this week – a marvellous city!

I do not want to bore you with words about – enjoy the highlights of my 3 day´s photo-session:

Schanzenviertel / Flora / Schulterblatt

graffities near the Deichtorhallen:

“Jack Freak Pictures” from Gilbert & George at the Deichtorhalle

Volker Lang´s wooden ensemble  Mittsommer / midsummer reflected in Jan Tim me´s mirror of the installation we´re one but not the same

Galery Carolyn Heinz & VG&S art development: Phillip Fürhofer “Hitzefrei”

Freitag – bags

Unscharf – exhibition of Gerhard Richter´s epigones at the Kunsthalle Hamburg

a big bag for the Kunsthalle – Amanda as Marilyn by David LaChapelle

scene of action: Steyr, Austria. seen from the churchtower

Bernadette Huber´s artproject Die Macht des Tratsches – The power of gossp recently brought together with Christina Hinterleitner (chrisenberatung) some confusion to the inhabitants: „Die Macht des Tratsches. Ein Stresstest für Steyrdorf – The power of gossip. A stresstest for the village of Steyr“ was program. Here the website of the announcement of the opening of the faked brothel in Steyr´s red-light district: The return of desire

detailed reports about in German: der standard

OÖNachrichten

Steyr, a small Upper Austrian city,  seems perfect as adaption for a stage & has even tradition in Punch & Judy show on such a traditional & serious stage as Steyrer-Kripperl:

cousin Franz Divinzenz gave the watchman in a short performance for his relatives & lead after the show behind the scenes

inside a  brothel? – oh no!:


historical Nadettes?

oh no! – serious historical citizens!

foreigners?

strangers?

oh no! – participants of the Nativity play Steyrer-Kripperl

after the show walking aside the red-light district through the main street last month I felt the need to raise my  eyes:  signs / aushaengeschilder in the sky:

cutting red onions to prepare some Italian sugo for lunch today noon & destroying the concentric circles of the bulbs with my knife I recognized the necessarity to do some adds into the dark picture I had scetched  in acrylic colours some days before –  imaginating a terrific scene in the Gulf of Mexico

the onions jumped virtually (& visually) into the water:

to give rise to a malstrom in my painting bucket

Andreas Roseneder   the red bulb globe shell acrylics on canvas 2010

done that I put my knife – my beloved leatherman-super-tool – into my pocket & drove out to the next village: Mr. Leatherman himself signed men´s tools ( pardon, I did not catch sight of a woman but the saleswomen ) there on the occasion of the opening of a new Leatherman-store in Hof / Leithagebirge, Lower Austria. Mr. Tim Leatherman opened my tool & noticed after a short glimpse through his spectacles: ” It was born in August 1995″.  – “Oh, a lion, best bite”, I thought.

Mr. Timothy S. Leatherman signating one of “his” tools – oh no!,  – it´s “mine”!

why the hell I had the feeling I have ever missed a meeting with  Mr. Timothy F. Leary ?

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topical photo: AFP, bbv-net.de –    following photos: René Desor, Athens July 2009

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