Andreas Roseneder portrait Joseph Haydn 2007 after Thomas Hardy 1791
my executions in follow are to be read as a test on a well-known testimony.
that silly way I follow the heir of a genius I do not understand jet, – although he – the genius – claimed & everybody ever perpetuated: “my language is understood all over the world.”
– my sheer attempt to an approximate approachement seems at the moment to be my only chance to understand:
inspired tellers always sent images to somebody listening. – & the images reflected a “sound” to the listeners.
literary seen an image may be a part of some one´s hole story reflected & mingled with by the readers own story.
in a world of a holistic perception of an image the recepient reflects his visions on its own means he ever did. – obviously a personal pictorial image that always will be overloaded by the beholder to set himself naked into…
… soundlessness …
– good conditions for interception? –
MAAAK – who are you?
where are you?
I´m yearning a sound!
Andreas Roseneder 2008, sketch after a drawing by George Dance, London 1794