no secrets to hide:
my view
my language
my tongue
all © Andreas Roseneder vinyl on polyetylene MasterBatch SAXpolymers 2009
my instruments
dear visitors, you are all invited on August 8th 18.oo h 2009 to Esterháza Palace in Fertöd, Hungary to share the opening of the exhibition
Andreas Roseneder : HAYDN RELOADED
together with them !
farewell for holidays until then!
Andreas Roseneder in Jeffrey Swann´s world aquabrique & vinyl on canvas 2009
hommage aux Années de Pèlerinage de Franz Liszt
où est l´hippocampe? – where is the sea-horse?
Tranquilo tranquilette, pas d´hameçon à l´horizon, c´est la fête.
Tranqil & free of worry, no fish-hook in sieht, let´s have a party.
Robert Combas freedom, diversity & opression 2009
Robert Combas freedom, diversity & opression 2009
danubiana Meulensteen Art Museum
more about see post: familiar
sex machine, la fille à pose lascive
Je suis Tuer, un personnage hérité de premiers jours de toiles. Adolescent virtuel à tête Kandinsky signaliste. Je bonde le cul. Yá trop de monde dans ce truc. Belle couleur, chaleur et diversité.
I am Kill, a character inherited from the first days of canvases. A virtual adolescent with the head of a signalising Kandinsky. I refuse the ass. There are too many people in this thing. Beautiful colour, warmth & diversity.
Andreas Roseneder masterbatch with stringbrained silhouette of Joseph Haydn (after Hieronimus Löschenkohl 1790) vinyl on polyethylen 2009
EIUS PICTURAM NON POËSIN VIDEMUS
a new installation in the park of danubiana : Ján Kelemen NIΤ – I. II. III / Thread 2008
new settled bronze POVODNÝ TVOR / underwater creature by Ondrej 4., 2004
Robert Combas inside & outside danubiana Meulensteen Art Museum
N´écoute plus, sinon je te lance moi poing sur la geule. Hommage aux Yard Birds, un groupe de rock anglais électrique et baroque des annés 60
Do not listen any more, otherwise I will lauch my fist on your face. Homage to the Yard Birds, an English elctric and baroque rock band in the sixties
Robert Combas 2008
Au début, c´était la Venus de Venise, maintenant c´est ISIS sûr et certain
At the beginning, it was the Venice Venus, now it is ISIS, sure & certain
2004
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- more about next days!
artist Peter Pollág is still working on the scaffold in the danubiana park area up to his Danube Wings: “some poets gave knowledge how many glass-pieces we already have fixed on that sculpture”, he amuses today as response to a visitors question about the amount of pieces on the surface, among them sculptors Milan Lukacs, Daniel Bucur & Rudolf Pinter
